A working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South.

MOVIE REVIEW

In a year where films about the persecution of black people—made by black directors—kicked and elbowed their way into the mainstream en masse (relatively), it’s only natural that the movie that has garnered the most nationwide attention is Green Book, told from the perspective of a white man and directed by one of the Farrelly brothers.
Read our Green Book movie review »